#writing resources: racism

[grumpyoldsnake]

Stamped From the Beginning by Ibram X. Kendi does a really good job of explaining and contextualizing the various racist ideas and justifications that have been used throughout US history, with plenty of quotations from primary documents.

I recommend it, especially if OP’s point is new to you or if you want a better idea of what these ideas are and why they’re harmful.

hey writers if you want to make a metaphor for racism, please maybe remember that racism is literally based on nothing. Africans weren’t enslaved en masse because the Robo-Musa threatened to destroy the world, they were enslaved because it was economically rewarding and politically convenient. If at any point your allegory for racism includes “so <oppressed group> did this major catastrophe and” then you have not only missed the point but you are literally reinforcing the ideas that racism have let racism self-perpetuate (that e.g. black people are naturally dangerous and violent and must be contained or begrudgingly accepted by the Nice White People)

[herearedragons]

I am: feeling emotions about Aqun Adaar

[chronicparagon]

Writing About Historical and Intergenerational Trauma

This is a post I've been thinking about since last night. I won't go into detail about what happened, but it made me think. I wasn't involved (but it came to my dash). It involved how different races, ethnicities, and cultures are represented in media. That includes writing and yes, even rps.

I want to make a post about including People of Color (PoC) in writing and the trauma they faced. This incident was what I viewed as an attempt to be historically accurate but wasn't handled properly. There is nothing wrong with including experiences that PoC characters had or perceptions other people had of these characters, but it must be handled appropriately because it can reinforce stereotypes, trigger people who are very sensitive to these topics, hurt readers who are PoC or otherwise, cause drama, and risk bringing in toxicity in communities.

I thought it may help if I share a bit about how to write about historical and intergeneration trauma, specifically racism, and how it's perceived.

Before I begin, I want to give my positionality. I am Native American (southeastern) and I also work in tribal health and studied Indigenous Health. While I specialized in infectious diseases and cultural competence in medicine, trauma and its impacts on PoC are frequently discussed in my work and with my colleagues. My work includes appreciating Indigenous knowledge and cultures, and how to improve healthcare research by including the knowledge and cultures of Indigenous people as our leaders and partners. Although I am not perfect and still learning, I hope this post will be a resource that serves as a starting point on being careful with writing about historical trauma.

There is so much I want to say about writing about historical and intergenerational trauma, but I will try to keep this brief with the main points for writers to consider.

The topic of this post is about including trauma that PoC face. It is intergenerational trauma, which is also known as historical trauma. I will call these IT/HT for short.

IT/HT means trauma inflicted by generations of abuse. This can happen from cycles of abuse between generations, but it is often used to describe trauma caused by colonization. It refers not only to genocide but also to cultural erasure, such as banning religious practices, banning languages, and forcing the minority to assimilate. Racism also contributes to IT/HT by reinforcing the ideas that caused grave harm.

IT/HT is very real and still causes problems. In fact, it is the root of health disparities minorities like Indigenous people face. It influences social determinants of health, such as poverty, food insecurity, violence, addiction, inadequate health care, and the list goes on.

Although discussing IT/HT can be uncomfortable, it is important to consider when representing PoC characters. This isn't to say the discomfort is invalid. In fact, history should make people uncomfortable so there will be improvements. However, talking about IT/HT promotes change, which is what we need. Addressing IT/HT also gives PoC like Indigenous people time to grieve. Grief is part of the healing journey.

Having said that, including the impacts of IT/HT can be tricky. It is a subject that requires a lot of thought, research, and asking questions. Avoiding stereotypes, and crude terms (such as derogatory terms or descriptors) are important. The impacts of racism and IT/HT should be through the eyes of PoC, and also be specific to the race or ethnicity of the character. This is because every group may not experience the same impacts or severity.

Look up sources about IT, HT, or racism from the perspective of the ethnic or racial group you chose. In my experience, while there are so many resources in Indigenous health and how PoC faced impacts of racism, they are often done with Western academics or medicine. This isn't to say that's bad, but we cannot understand the entire picture, or even address the disparities and trauma unless we include Indigenous people or PoC in the research.

There are books, articles, videos, and interviews of people sharing their experiences like First Nations people retelling their experience in boarding schools. Of course, there are many, many other examples. The main idea is to consider PoC's view of these impacts. Their experiences should guide you in how your character faced the same challenges and not so much on how other characters may perceive them.

Another important thing is to never be afraid to ask questions. Most PoC wants to share their experiences, perspectives, and cultures with others who want to listen.

Additionally, when you write PoC characters, focus on the strengths of the people. While there are some cases when bringing up the disparities, representation needs to focus more on strengths. One example is Indigenous people. They have been researchers for centuries and their knowledge to explore the world. They developed innovations far before other people knew about them. This isn't just Native Americans either. This includes Indigenous groups all over the world.

To summarize, there is nothing wrong with including sensitive topics like IT/HT, but it must be done with great care. That means doing plenty of research, especially on materials that include PoC or minority communities as partners and leaders in research. Also, write PoC respectfully without stereotypes, never use crude terms, include experiences from PoC's perspectives, and include their strengths.

I hope the information here helps. My intention in this post is to help people be on the right path to learning about their character's backgrounds, the people who faced hardships from the same backgrounds, and present IT/HT with respect to PoC with their views, cultures, and strengths in mind.

[laurenfoxmakesthings]

Useful to know what to not use or even what to take out for writing. Even common phrases like 'no can do' have some fucked up racist origins.

[ichverdurstehier]

Say my story has a bunch of nymphs that vocally consider humans to be inferior. Should I tag for racism or specism or what

I'm also inventing a couple slurs for humans,

[yourlocalbreadenthusiast]

Kindly take a break from scrolling to read this, it's important.

Take your time to grieve and come to terms with the election results, but once you've done that, it's time to get to work. We have two months. And a lot to do in that time. We have to prepare, to be ready.

Be careful about what you post or say online. Anything potentially incriminating should be avoided. Threatening language, even if clearly a joke, can be used against you.

Know someone who's trans? Someone who's had an abortion? Someone who's LGBTQIA+? Someone who's an immigrant? Someone who attends protests? Someone who's disabled? Someone who might in any way be at risk due to laws being put into place? No you don't.

Move away from social media platforms and browsers that require you to use your real identity or input a large amount of personal information. Now's a good time to find alternate means of communicating online. Tails, Element, Tor, Mastodon, Firefox, and Lemmy are all decent options.

Find a community. Someone you can talk to, either online or in real life, that you'll have reliable contact with. We need to try and create a network, but one that's as anonymous as possible.

Start scrubbing your trail as much as possible. Get rid of old accounts that can still be traced to you but are no longer used, delete personal data off the internet. There are websites out there that will freely remove your data from the internet, but be careful about which one you use, make sure it's safe and legitimate first.

Change any usernames that you can that contain any personal information. Names, birthdays, anything.

Plan B has a four year shelf life. Stock up, but don't take more than you you'll need. We don't want a COVID repeat where everyone buys an excessive amount of things and leaves none for everybody else.

There are doctors that will sterilize you, if that's the way you want to go.

Stop using online period trackers right now. Delete all data from it if possible first, then delete the app itself. If you must, write it down, but in a subtle manner and on something you keep at home. Don't label it, just put the dates. If you're really worried, discard older records and only keep the most recent few, and label the dates as other random events, like "go to mall" or "chicken salad for dinner this night"

Get your vaccines now.

Save money.

Archive. We have to start collecting records, media, data, books, and articles now. On racism, on fascism, on homophobia, on gender, on self-reliance, on survival, on safe travels routes, on equality, on justice, on anything that may be useful and/or censored soon. We can't let them erase it.

Collect those online resources. Bookmark them, copy files into your storage, Screenshot pages. Create a decentralized library where everyone is working to be part of a whole, storing what they can individually and sharing it between one another. Again, be careful about doing this.

Second-hand bookstores are your best friend. Books are usually very cheap in them, and they often have a decent stock. See what you can find.

When buying ANYTHING I have mentioned above, or anything else that maybe put you in danger, try to use cash to reduce your spending trail.

Check your car information online, many newer models can be remotely tracked.

Turn your phone completely off if you may be at risk due to your location and current activities. Turning off your GPS also helps.

Take note of where you are. Who are your friends? Who's a safe person? Where can you go besides your own home that you know you'll be safe? Establish these connections now.

Who around you is not safe? Who and where do you need to avoid? Do you need to move? If you cannot afford moving but need to, there are fundraisers that can help you. If even that is not an option, at least try to make sure your home is secure. Have someone who can help you. Have a fallback safe place.

And finally, I want anyone with resources to put them in the replies. Flood it with useful links, information, tips, anything. We're in this together. Do not panic. Organize.

EDIT: Please be civil in the replies.

[plounce]

researching stuff for a post about misinformation regarding girl scout cookies and man this article (10/28/23) about this palestinian-american girl scout nearly made me burst into tears

In her short 17 years on earth, Amira Ismail had never been called a baby killer.

That’s what happened one Friday this month, Amira said, on New York City’s Q58 bus, which runs through central Queens.

“This lady looked at me, and she was like: ‘You’re disgusting. You’re a baby killer. You’re an antisemite,’” Amira told me. When she talked about this incident, her signature spunk faded. “I just kept saying, ‘That’s not true,’” she said. “I was just on my way to school. I was just wearing my hijab.”

Amira was born in Queens in the years after the Sept. 11 attacks. She remembers participating as a child in demonstrations at City Hall as part of a successful movement to make Eid al-Fitr and Eid al-Adha school holidays in New York City.

But since the Oct. 7 attack by Hamas, in which an estimated 1,400 Israelis were killed and some 200 others were kidnapped, Amira, who is Palestinian American, said she has experienced for the first time the full fury of Islamophobia and racism that her older relatives and friends have told stories about all her life. Throughout the city, in fact, there has been an increase in both anti-Muslim and antisemitic attacks.

In heavily Muslim parts of Queens, she said, police officers are suddenly everywhere, asking for identification and stopping and frisking Muslim men. (New York City has stepped up its police presence around both Muslim and Jewish neighborhoods and sites within the five boroughs.) Most painful though, she said, is the sense that she and her peers are getting that Palestinian lives do not matter, as they watch the United States staunchly back Israel as it heads into war.

“It can’t go unrecognized, the thousands of Palestinians that have been murdered in the past two weeks and even more the past 75 years,” Amira said. “There’s no way you can erase that.” That does not mean she is antisemitic, she said. “How can I denounce one system of oppression without denouncing another?” she asked me. The pain in her usually buoyant voice cut through me. I had no answer for her.

Many New York City kids have a worldliness about them, a certain telltale moxie. Amira, a joyful, sneaker-wearing, self-described “Queens kid,” can seem unstoppable.

When she was just 15, Amira helped topple a major mayoral campaign in America’s largest city, writing a letter accusing the ultraprogressive candidate Dianne Morales of having violated child labor laws while purporting to champion the working class in New York.

“My life and my extremely bright future as a 15-year-old activist will not be defined by the failures and harm enabled by Dianne Morales,” Amira wrote in the 2021 letter, which went viral and helped end Ms. Morales’s campaign. “I wrote my college essay about that,” Amira told me with a slightly mischievous smile.

In the past two years, Amira has become a veteran organizer. Last weekend, she joined an antiwar protest. First, though, she’ll have to work on earning her latest Girl Scout badge, this one for photography. That will mean satisfying her mother, Abier Rayan, who happens to be Troop 4179’s leader. “She’s tough,” Amira assured me.

At a meeting of the Muslim Girl Scouts of Astoria last week, a young woman bounded into the room, asking whether her fellow scouts had secured tickets to an Olivia Rodrigo concert. “She’s the Taylor Swift of our generation,” the scout turned to me to explain.

A group of younger girls recited the Girl Scout Law:

“I will do my best to be honest and fair, friendly and helpful, considerate and caring, courageous and strong, and responsible for what I say and do, and to respect myself and others, respect authority, use resources wisely, make the world a better place and be a sister to every Girl Scout.”

Amira’s mother carefully inspected the work of some of the younger scouts; she wore a blue Girl Scouts U.S.A. vest, filled with colorful badges, and a hot-pink hijab. “It’s no conflict at all,” Ms. Rayan told me of Islam and the Girl Scouts. “You want a strong Muslim American girl.”

At the Girl Scouts meeting, Amira and her friends discussed their plans to protest the war in Gaza. “Protests are where you let go of your anger,” Amira told me.

Amira’s mother was born in Egypt. In 1948, Ms. Rayan told me, her grandfather lost his home and land in Jaffa to the state of Israel. At the Girl Scout meeting, Ms. Rayan was still waiting for word that relatives in Gaza were safe.

“There’s been no communication,” she said. When I asked about Amira, Ms. Rayan’s eyes brightened. “I’m really proud of her,” she said. “You have to be strong. You don’t know where you’re going to be tomorrow.”

By Monday, word had reached Ms. Rayan that her relatives had been killed as Israel bombed Gaza City. When I asked whom she had lost, Ms. Rayan replied: “All of them. There’s no one left.” Thousands of Palestinians are estimated to have been killed by Israeli airstrikes in Gaza in recent weeks. ... Ms. Rayan said those killed in her family included six cousins and their children, who were as young as 2. Other relatives living abroad told her the cousins died beneath the rubble of their home.

As Ms. Rayan spoke, I saw Amira’s young face. I wondered how long this bright, spirited Queens kid could keep her fire for what I believe John Lewis would have called “good trouble” in a world that seems hellbent on snuffing it out. I worried about how she would finish her college applications.

“I have a lot of angry emotions at the ones in charge,” Amira told me days ago, speaking for so many human beings around the world in this dark time.

I thought about what I had seen over that weekend in Brooklyn, where thousands gathered in the Bay Ridge neighborhood, the home of many Arab Americans, to protest the war. In this part of the city, people of many backgrounds carried Palestinian flags through the street. Large groups of police officers gathered on every corner, watching them go by.

The crowd was large but quiet when Amira waded in, picked up her megaphone and called for Palestinian liberation. In an instant, thousands of New Yorkers repeated after her, filling the Brooklyn street with their voices. My prayer is that Amira’s generation of leaders will leave a better world than the one it has been given.

i believe she recently got her gold award (which, if youve never been in girl scouts, is really difficult - way more difficult than eagle scout awards), or is almost done with it. i hope she's doing okay.

this article (no paywall) about muslim and palestinian girl scout troops in socal also almost made me cry (it's like 2am). i really really hope all these kids are doing alright. god. they and their families all deserve so much better

[nukacourier]

Okay so I've gotten a couple of comments here and there whenever I complain about the anti-native american sentiment (aka racism) that's baked into Honest Hearts asking "how is it racist??", which I know it's not my job as a native american fallout fan to teach ignorant white people how something is harmful but I'm gonna spell it out anyways because it's annoying when people constantly act blind to it

First of all, the dlc is very heavy handed with the "uncivilized savage" depiction of native americans. The fact that they had to be TAUGHT how to use guns and use their own natural resources to make medicine are already two examples of this right out of the gate

Plus, the fact all the tribe members wear rudimentary hides, hardly speak english, and sleep on the ground without any buildings (where Joshua and Daniel get to wear normal clothes and Joshua has his own work station) are more examples of this troupe (and its especially stupid since iirc a lot of southwestern tribes were known for making buildings that still exist to this day)

This also ties into the white savior troupe, since as said, the Dead Horses and the Sorrows both had to be taught to take care of themselves and have to be protected by another tribe by two white men (Joshua and Daniel), and that they practically worship them for it because they apparently would've died off if these two white guys didn't intervene

This, plus the fact they're both missionaries who are trying to convert the tribes into a Mormonism is downright offensive as Christianity as a whole has been used as a tool to justify committing genocide against us for centuries. Do I even need to explain this?

And speaking of them needing protection, the White Legs themselves are a whole shitty can of worms, falling right into the (what should be) long-dead idea that if we're not stupid mud people, that natives are bloodthirsty, cannibalistic, warring savages (which. Again. Another tool of propaganda used to literally kill us for as long as white people have been here). Which in turn loops back around to the whole white savior thing with the problem of the White Legs only being solved because Joshua uses his mighty hand of God to take them out or whatever. No matter if you try to end the dlc peacefully you STILL have to do that! It's fucked up!

This post is already lengthy and there's a lot of things I haven't covered (such as the native characters in the dlc generally falling into the "noble indian" troupe), but these are the most glaring issues I can come up with from the top of my head

Tl;dr - quit heralding Honest Hearts as the pinnacle of good writing when it's all built off racism. Listen to us native fans for once, please

[spacecasehobbit]

As much as I agree with anti-censorship conversations in fandom spaces, because fiction is not reality and censorship of art is nearly always a tool that is or will wind up being wielded by conservatives to suppress works by or depicting anyone that strays too far from "acceptable" conservative social norms, those arguements rarely get at the heart of why I think censorship of fanfiction, in particular, is such an extra ridiculous conversation.

Fanfiction is a hobby.

People who write fanfiction and engage with fandom spaces may be young, may be writing in a second language, may be very inexperienced writers, may be people who lack a lot of research and/or editing resources for their work, etc.

All of this adds up to a much greater likelihood in fandom spaces that you will come across: poorly written stories; awkwardly conveyed themes and flat, poorly written characters; all sorts of unfortunate words/themes/character choices/etc that might look, at a glance, like Bigotry; all of which were still written in good faith by decent people who simply aren't great writers.

All of this also dramatically increases the likelihood of encountering the type of stories that hurt and/or marginalized people write about their own experiences as a way of exploring scary/harmful/"bad" things - like rape fantasies, like messy reactions to abuse, like racism or misogyny or homophobia or any other bigotry - in a fictional setting where they have all the real world control to determine how those things play out on the page for the fictional characters.

Combine point #2 with point #1, and of course there are going to be plenty of fics that wind up making lots of people uncomfortable, but which are actually written by the very same young or hurt or marginalized people that fans of censorship claim they are trying to protect.

And it is absurd.

So many of the calls for censorship by fandom antis overlap heavily with respectability politics.

So many of the calls for censorship are effectively saying that unless you are a good writer with significant access to time and resources - including, oftentimes, access to marginalized people who are willing to put in significant editing/advising work on your behalf - that you shouldn't have the right to publically engage in amateur hobbyist writing spaces.

And the people who will be most hurt by the above will always be the most young and vulnerable and marginalized members of those hobbyist spaces.

And that's not something I can ever get behind.

[sweetmage]

Did not expect those posts about Theo's snubbing at MCM London (this has sense been clarified and is no longer entirely relevant but the rest still is) and BG3 fandom racism to breach containment so hard and I'm kind of regretting not including something more actionable in the posts, so I'll do that here. You are encouraged to reblog this, repost these links on your own, or add your own suggestions.

If you are bothered by Wyll's lack of content in the game compared to other characters you can submit feedback to Larian. While this carries no guarantee, our odds of them revisiting him and doing him justice are a lot better if we show them that there's interest.

This is the link to their feedback page. Select "feedback" in the drop down menu that says "report type". For your convenience, this is the current version number of the game as of October 30th (patch #3):

v4.1.1.3767641

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There is also a Wyllvember event taking place on twitter and tumblr during November 1 - November 7th to show some love for him via fanworks. You can find the prompt lists here:

Twitter

Tumblr

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Here is Theo's Cameo if you'd like a personal message from him, would like him to read or respond to something as Wyll, etc.

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For writers and/or people wanting to examine their biases in general in relation to black characters, I would also recommend perusing some of the black focused tags on this blog (Writing With Color) as they have a lot of great resources when it comes to tropes, stereotypes, and biases in media.

This is also a great resource in general and I recommend all writers bookmark it!

[221loislane]

An Account of the Current OTW/AO3 Allegations

You may have seen talk flying around about drama going down with OTW (the Organization for Transformative Works) and AO3. There isn't a clear write-up of the situation on Tumblr, and since the allegations in this case are serious and OTW Board elections are coming up, I thought there should be a resource for people to get some basic understanding about the events.

This account is a burner, because the topics here are deeply charged, and I don't want to become a character in what's happening. I am not a member of or volunteer for OTW; I am not affiliated with End OTW Racism; I am not affiliated with Dreamwidth; I do not personally know any of the people involved in these events, or have personal knowledge of the events themselves. I am only compiling the publicly available events, allegations, and discussion into a convenient format for Tumblr. I will be heavily referencing the the similar compilation put together by Dreamwidth user Synonymous, but I am not Synonymous, nor do I know who they are. I am not, however, completely without bias; for one thing, I am writing this with the clear understanding that I believe OTW's treatment of its volunteers and policies on content moderation are both deeply troubling. If I did not believe that, I wouldn't have bothered writing this post.

This write-up includes events relating both to allegations about volunteer abuse and improper handling of CSEM moderation by the OTW, and to arguments made about the OTW's handling of racist conduct and about End OTW Racism's ties to the writer known as Stitch. I am including both of these threads because they are deeply related both causally and in the arguments of many of the people involved, and because volunteer abuse, CSEM, and racist harassment are all deeply serious problems.

This situation has not resolved, and therefore you can likely expect more to occur, probably relating to all of those topics. I have not yet decided whether I will continue updating this timeline, but it should at least give you a grounding in what's happening.

Heavy Content Warning for discussions of child sexual abuse material; abuse, harassment, and stalking; and interpersonal and systemic racism. All language in this write-up is non-graphic and high-level, but some links include more detailed descriptions.

The Events

June 24, 2020: In the wake of George Floyd's murder and in response to pressure from people including Black writer Stitch (of the blog Stitch Media Mix and Teen Vogue) and fan studies academic Dr. Rukmini Pande, the OTW makes a statement promising to review their policies and procedures and take steps to protect users from racist harassment. The specific promises they make are:

Giving creators more control over the comments on their works.

Improving collection searching and filtering.

Improving admin tools for responding to Policy & Abuse reports.

Reviewing the Terms of Service to potentially allow Policy & Abuse to respond to more kinds of reports.

Reassess the required Archive Warnings and consider adding more.

Continue working on user muting and blocking.

They also say that they are considering "reaching out to an external contractor or partnering with an advocacy group," i.e., a diversity consultant, to help with reforms.

August 8, 2021: As part of their July newsletter, the OTW announces that it is creating a new officer role in the organization to research options for diversity consultants.

May 7, 2022: The OTW makes a public statement on their website that an unknown attacker has sent CSAM (child sexual abuse material) to some of their volunteers' email addresses, that they are working with authorities to find the attacker, and that response times may be slower than usual, as they have "shut down a number of internal tools" in order to protect their volunteers and the investigation.

May 8, 2022: Dreamwidth cofounder and former head of LiveJournal Trust & Safety Denise (rahaeli on Twitter, synecdochic on Dreamwidth) posts a Twitter thread urging any current or former OTW/AO3 volunteer who has provided the organization with their real-life name ("wallet name") to contact their local police department and let them know that they are at an elevated risk of swatting. She also provides advice on disabling image auto-loading in emails and dealing with trauma and anxiety from being exposed to CSAM, and mentions that she has contacted AO3 to offer help.

June 16, 2022: As part of their April newsletter (delayed several months due to the CSAM attack), the OTW announces that a Diversity Consultant Research Officer has been appointed.

May 10, 2023: The Tumblr account end-otw-racism publishes its first post, End OTW Racism: A Call to Action. In it, the anonymous authors call on the OTW to implement the changes that they promised in 2020, especially:

Hiring a diversity consultant within the next 3-6 months.

Updating their harassment policies and protocols to address on-site and off-site coordinated harassment.

Creating a content policy for content that is abusive in a racist manner.

As part of their background establishing the problem of racist abuse and harassment in fandom, they link to several articles written by Stitch on their commentary blog, as well as a couple of posts from other fans. In their FAQs and other posts, the organizers of EOR clarify that they are not calling for the removal of any racist fic, but fic that is written specifically with the intention of perpetrating racist harassment or abuse. They also urge supporters not to berate or harass anyone for disagreeing with or failing to support their campaign.

May 17, 2023: An anonymous user asks about the End OTW Racism protest on the anon-meme Dreamwidth community Fail Fandom_Anon (FFA). As part of a tangent in that discussion, an anonymous former volunteer member of the OTW's Policy & Abuse Committee (PAC) mentions that they handled CSEM (child sexual exploitation material) tickets as part of their work, and that the OTW did not provide sufficient resources or expertise in dealing with them either emotionally or logistically. They describe themselves as being traumatized, burned out, and overworked during their time in PAC. They also mention that there was an earlier CSAM attack, targeted only at PAC volunteers, prior to the one that the OTW announced; that they were the volunteer who handled reporting to law enforcement; that the PAC chairs urged Legal and the Board to prepare for more attacks, but that nothing was done; and that the OTW did not provide any mental health resources for volunteers after the CSAM attack. (Here is a link to the user's top-level comment; read down the thread for more.)

May 20, 2023: Dreamwidth user chestnut_pod posts an entry called Be More Democratic, Be More Autocratic, OTW. The thesis of their post is that the OTW fails to adequately respond to racism on AO3 because of structural problems within the organization that amplify biases and make change difficult to achieve, and that in order to address racism and other problems more effectively, the organization should create a clear and straightforward command structure. They also advocate for creating some paid roles within the organization. The comments of the post become a kind of referendum on OTW's organizational policies, and some former volunteers show up to say that chestnut_pod's description of the problems with the org's structure tally with their experience.

May 23, 2023:

An anonymous user links to chestnut_pod's post on FFA. In response, the same former OTW volunteer describes various details of how the Policy & Abuse Committee (PAC) made decisions during her time there. (The description covers a lot of comments, so with one exception I'm linking to Synonymous's overview rather than the individual comments, but you can find all of them either through Synonymous's links or by reading down the FFA thread.) The upshot is that PAC often found it difficult to address racism, abuse, and harassment due to roadblocks and micromanagement from OTW's Legal Committee. In particular, the user mentions that they wanted to remove photo manipulations of real-life minors engaging in sex, as well as ambiguously-sourced explicit gifs from underage fics, and were told that they could not by Legal. (I have described the user's objections at as a high a level as possible, but the language used at the link is much more detailed and explicit.) A subsequent, current OTW volunteer says that since the first user left, the policy has changed to allow PAC to remove similar gifs.

Denise leaves a series of comments on chestnut_pod's post saying that the PAC policies described there run counter to industry best practices for Trust & Safety. In response to a commenter asking whether she could advise OTW, Denise says that she has offered several times, and only heard back from the organization once: after she posted her Twitter thread in response to the CSAM attacks, "at which point it immediately became extremely clear the person in question was more interested in protecting the external reputation of the organization than in listening to any advice I had to give and the only reason they'd contacted me was to pressure me to remove my Twitter thread."

In response to Denise's story, Dreamwidth user azarias reveals herself to be the anonymous former PAC volunteer on FFA. In a series of comments on chestnut_pod's post and FFA (bulk of the information in this comment, but see Synonymous's compilation or read up and down the thread for more), she relays the following story: On May 6, 2022, shortly after the CSAM attack, azarias was kicked out of the OTW volunteer Slack with no notice and no communication. When she realized several days later that this was not an organization-wide shut down, she emailed the OTW Board, Legal, and the PAC chairs asking about the situation, and whether she was a suspect in the attack. The chair of Legal, Betsy Rosenblatt, responded, apologizing for the lack of communication and saying that the shut-out was at Legal's request because they thought azarias' account may have been compromised, but she was not a suspect. On July 22, 2022, having heard nothing further from the OTW, azarias emailed again asking about reinstatement, and Betsy responded that they had just that day started that process. (EDIT: Azarias clarifies that her original stated date of July 22 was an error; she checked on her status July 4, and Betsy responded July 6.) All of azarias's accounts had been deleted, so she returned to the OTW with new accounts, and was informed by her PAC chairs that they were not consulted or informed about her suspension until it happened, were not told why she had been suspended, and were ordered not to speak to or about her during the suspension. Due to awkwardness, trauma, and burn-out, azarias quit volunteering soon after.

May 30, 2023:

On FFA, an anonymous OTW volunteer (not azarias) comments that the OTW Board has posted an update to Slack addressing azarias's story (though she is never named in the update). The update confirms that Legal made the decision to suspend azarias, and says that the Board was not consulted on or informed about the decision to either suspend or reinstate her. A statement from Legal is also attached. The statement does not in any way dispute azarias's timeline of events, and outwardly apologizes to her for the distressed caused, but it also contains several strong insinuations that the letter-writer believes that azarias was responsible for the CSAM attack.

In response to this letter, Denise posts a statement on Dreamwidth and Twitter recommending that any person currently volunteering for the OTW should resign for their own personal safety.

June 3, 2023: Azarias (now posting under her real account, which FFA allows people who are players in the events being discussed to do) comments on FFA that she has consulted a lawyer regarding Legal's insinuation, and has been advised that she doesn't have anything to worry about, legally. She explains some more of the details behind the situation, and discusses some of her guesses about the current situation at the OTW. (For clarification, the Heidi she's referring to is Heidi Tandy, a longtime member of OTW Legal. During the heights of Harry Potter fandom, Fandom Wank coined the term "Heidipology" to describe what they believed to be Heidi's pattern of making insincere, backhanded apologies.) In the comments, anonymous users discuss the fact that OTW's Legal team is made up entirely of IP lawyers, and not lawyers who have expertise in criminal law, nonprofit governance, or Trust & Safety. (Link goes to Synonymous's compilation.)

June 12, 2023: The OTW publishes a statement addressing the End OTW Racism protest. They thank the organizers for holding them accountable, list the steps they've already taken in addressing racism (mostly muting/blocking abilities and similar), and reiterate that they are working on hiring a diversity consultant and reviewing PAC policies. They also say they will improve transparency and communication.

In the comments, azarias (and several others) push the OTW for a retraction of Legal's letter. Azarias also pushes the OTW to make real progress on racist abuse, rather than paying it "lip service." Azarias reveals that she was the Board's original pick for the Diversity Consultant Research Officer, but dropped out. (Further comments later and earlier at FFA clarify that she dropped out due to the OTW's one name policy, which requires that all work that a volunteer does for the OTW be done under a single name; officers are required to serve under their wallet names, and azarias wanted to do her PAC work under her fandom name and not link that to her wallet name, and when OTW didn't let her, she resigned. Link to Synonymous's more thorough compilation of this story here.)

Also in the comments, several users respond to the OTW's statement by posting racist abuse and racial slurs. The OTW leaves the comments up for several days before finally screening them.

June 15, 2023: Denise posts a thread on Twitter, shortly after compiled on her Dreamwidth, laying out what she consider's the OTW's "absolute failure" at Trust & Safety. Among other things, she claims that:

Photomanips of minors in sexual situations, "however terrible or obvious the Photoshop job is, qualifies under the third definition of 'child pornography' as given in 18 USC §2256(8)(C)."

She believes that the OTW may not be in compliance with legal obligations to preserve information about reported CSEM, due to its policy of deleting author information about orphaned works.

In this post, Denise also elaborates on the story she told in the comments of chestnut_pod's post. She says that in May 2022, before the OTW made its statement about the CSAM attack, several volunteers reached out to her for advice, and she learned that the attack emails included threats to expose identifying volunteer information to, among other places, Kiwi Farms, a site whose users have previously swatted many people. In response to this, after the OTW's statement, she published her Twitter thread advising volunteers to alert their local law enforcement, and also reached out to the OTW to offer resources, contacts, and advice. In response, OTW Legal member Rebecca Tushnet called her and spent half an hour pressuring her to remove her Twitter thread.

At the end of the post, Denise briefly touches on the End OTW Racism action that began this conversation, saying that she appreciates their work, but believes that their proposed solutions will not be effective, both because the OTW's organizational dysfunction makes it impossible for them to moderate racist content, and because PAC must moderate "conduct, not content." She says that she "firmly disagree[s] with the foundational work their campaign was built on."

June 16, 2023:

In response to several people asking for clarification on her statements about End OTW Racism, Denise posts a follow-up Twitter thread (which has not at this time been crossposted to Dreamwidth). She says that a diversity consultant will not effectively address abuse because the current OTW culture is resistant to change, and that reviewing TOS policies will not be effective, because the current TOS already allows for moderation of abusive conduct, but PAC has not been empowered to enforce it. Instead, she claims that progress on moderation of racist abuse can only truly be made once the organization's systemic issues have been addressed. She also believes that End OTW Racism's messaging is counterproductive, "because of its repeated failure to differentiate between content and conduct." In particular, she argues that, "by citing so heavily to the foundational background work by people who *have* repeatedly called for bans on work that 'reflects racist and bigoted stereotypes', and by failing to differentiate the two except in passing, the campaign has positioned itself in such a way that it will be, and I'm certain has already been, dismissed by the OTW." She does not mention Stitch by name, but it is clear by context that it is the citations of Stitch's work that she is referring to.

After someone DMs her to request she take down her clarifying statements about End OTW Racism, and various people supportive of EOR on Twitter denounce the statements, Denise posts a follow-up statement to Dreamwidth and to Twitter. She says that she has been contacted several times over the past few weeks by Black fans who have been harassed and abused by Stitch in racist and racialized ways, and who showed her screenshots of these interactions, which Stitch has since deleted. She says that because these fans are afraid to speak up for fear of further harassment, she offered to relay their concerns about a campaign based heavily on Stitch's writing. She does not provide the screenshots, in order to prevent the fans from being identified. She reiterates that she agrees with Stitch and with EOR that the OTW is failing to respond to racist abuse and harassment, but that she disagrees with their approach and proposals. (For what it's worth, as I said up front, I am not personally acquainted with either Stitch or Denise, and have no personal knowledge of events, but Denise is not the first person to accuse Stitch of racist harassment. There has been a great deal of discussion on FFA, both well-sourced and not so much, detailing Stitch's past behavior. I am linking to this round-up so that people can find it, but with the exception of those that directly link to the evidence, and one or two that reference Stitch's public writing, I do not know the accuracy of any of the claims, and I do not know the source of some of them. The allegations listed also vary wildly in their degree of seriousness, ranging from "actually harassed someone" to "said something distasteful," to "is friends with a known serial stalker and harasser.")

The OTW posts a newspost addressing Denise's original (June 15) thread and allegations. The say that they are in legal compliance with CSEM reporting procedures, that they provided resources to volunteers following the CSAM attacks, and that "the Legal Committee has always worked closely and cooperatively with the Policy & Abuse Committee, and continues to do so." They do not reference azalias's accusations or Denise's claim to have been pressured by Rebecca Tushnet. In the comments, azarias, Denise, and many other users, both anonymous and signed, express outrage at the OTW, and push for answers, apologies, retractions, and in some cases the resignation of Legal and/or the Board.

End OTW Racism posts a statement acknowledging the OTW's acknowledgment, and calling for supporters to donate to the OTW so that they can vote in the upcoming Board elections.

June 16-18, 2023: A group of people on Twitter, Tumblr, and Dreamwidth post individually and in conversation about Denise's comments on Stitch and End OTW Racism, defending Stitch and arguing that Denise's claims about them and disagreement with their and EOR's work are racist, unfounded or overblown, and a derailment from EOR's mission. Some of these are the same people who are in the comments of the OTW's response to Denise, pushing for the OTW to respond to azarias's allegations. (These are not inherently contradictory positions; I just want to note that both the personal and ideological stances here do not necessarily line up neatly into, say, pro-OTW and anti-OTW.) See, for instance, naye's Dreamwidth post, fiercynn's Dreamwidth post, or pearwaldorf's Tumblr post.

June 18, 2023: Denise posts a Twitter thread going into much greater detail about the number of fans of color who reported to her that Stitch had harassed them ("a number greater than five and less than fifteen"), and the severity of their claims ("Several of them said the harassment they experienced was so severe and pervasive that it caused them to change screen names, leave fandom, or otherwise restrict their conduct online.") She also gives a detailed, step-by-step outline of how she went about verifying their claims to her own satisfaction. She continues not to give out identifying details to prevent further harassment.

[Updated June 19, 2023 to correct language around the attack on OTW, which was a CSAM attack, not a CSEM attack.]

[bucktommyweek]

Welcome to BuckTommyWeek!

Alright, y'all, the moment we've (I've) all been waiting for! (Again, probably just me...)

Here are your Prompts for #BuckTommyWeek which is June 3-9, 2024.

Monday, June 3, 2024: Date Night Tuesday, June 4, 2024: Emergency Wednesday, June 5, 2024: Bad weather days (mental or literal) Thursday, June 6, 2024: Gift Exchange (Sentimental, handmade or silly) Friday, June 7, 2024: AU (can be: 118 Tommy (he never left), First Meeting (back from the weekend), soulmate AU or string of fate au.) Saturday, June 8, 2024: Pride (First pride, or Pride traditions) Sunday, June 9, 2024: Leaving a mark (wonder where I got THAT idea from?)

And what will the alternate prompts be, you may ask? Where are the dirty ones from last time?

The alternate prompts are the weekend prompts so:

A figure from their past.

"I'll come for you, no matter what, if you need me, I'll be there."

Their favourite firsts.

"No touching. You'll be patient and wait until I'm done."

The toy chest.

"Guess what I'm wearing right now?"

Beast mode (wonder where I got that idea from?)

Important Information Before Participating

Rules

Rating System

FAQ

Racism and Prejudice

Ao3 Collection

Optional Post Format

Resources for Writing

If you have any questions either hit up our askbox or my own personal askbox or messages @evan-privileges

Haters need not engage.

[mephistopholes-brain]

“If the citizens of Gaza were white there’d be more outrage and this would be stopped!!!” This is NOT just rooted in racism! Just like in the 1400s, the Western bourgeoisie saw profit in the dehumanization of POC! Not to say there isn’t racism and Islamophobia that heavily plays into this, but writing it off as ONLY racism ignores that this is fundamentally a problem brought on by capitalistic greed. Those children are primarily being murdered because the West and IsraHell sees profit in the ethnic cleansing of an entire country. They see profit in selling weapons of mass destruction and draining the land of its resources.

On top of that, they’re using this to set an example and see how much they can get away with before people snap and recreate the French Revolution. Fuck peaceful protests. There’s nothing peaceful about the ethnic cleansing of an entire nation. In the first place, peaceful protests just means the protesters aren’t being violent! The reason it ever worked in the past was because outsiders saw the government and industries enact violence on the protesters! Even Dr. King aligned with Malcolm X!

VIOLENCE ENACTS CHANGE! IT IS YOUR CHOICE WHETHER THE ONE FACING THAT VIOLENCE IS YOU AND YOUR FAMILY OR THE CAPITALIST SCUM PROFITING OFF OF GENOCIDE!

[letters-to-lgbt-kids]

My dear lgbt+ kids, 

If you sometimes come across the term “banned books” but don’t really know what it means, here’s a simple little introduction to the topic: 

“Banned books” refers to books that have been censored or removed from libraries, schools, or bookstores due to objections from certain groups or individuals.

When we read that definition, I think a really common and understandable response is: „whoa, okay, these must be really bad books full of dangerous ideas!“… and in some way, that’s true. 

Because, you see, to someone with a homophobic worldview, any book with a gay character is really bad and dangerous. And to a child abuser, any book that educates children on consent is really bad and dangerous. 

Among the top reasons for book bans are lgbt+ content, sexual content (including sexual education or education on sexual abuse), themes of racism and themes like drug use or addiction. Over the years, many books with significant cultural and educational value have faced bans - and this continues to be an issue all around the world, including in the US. 

When books are banned, it restricts the access to information people (including kids and teenagers) need to understand themselves and others. This negatively affects queer people and other marginalized groups (for example people of color or disabled people) but it also impacts everyone else. Diversity in literature enriches our understanding of the diversity of real life. It helps to build empathy, compassion, kindness and understanding. Access to different stories and viewpoints is vital for an inclusive society. 

Censoring queer books in particular also normalizes the message that queer experiences are inappropriate or “dirty” - which, again, is really beneficial to homophobes and transphobes. If it feels safe for them to say that queer books harm children, it paves the way for all other kinds of discrimination and harassment of queer people. 

Now you may think “this all makes sense when it comes to books with gay characters! But didn’t you also mention stuff like sexual abuse and addiction and racism up there? These are indeed bad and dangerous things!” 

I think this is another really common thought. These things happen in real life and it can be uncomfortable to even think about them. But that’s precisely why we need books about those “uncomfortable” topics! 

We may not like the idea that a child hears about racism or abuse - but in a world where kids can experience racism and abuse, they also need to be able to read about racism and abuse. They need to be able to say “this is what’s happening to me and this is not okay”. We need to be able to name bad things when they happen to us or when we witness them happening to others. We need an understanding of and a language for bad things. That’s the only way to fight the bad things. 

Another thought you may have is “Okay, and now what? I don’t have the power to do anything about all this anyway”, and honestly I wouldn’t blame you for that one either. Hearing about book bans (on top of all the other negative stuff we hear about) can feel really depressing. But there are things you can do to push back and help keep diverse stories accessible - even if you are young or have limited resources! 

Some ideas: 

use your public library (many public libraries actively resist censorship and make banned books available!) 

use a digital library (services like Libby and Project Gutenberg offer free access to many books) 

look out for online petitions or letter-writing campaigns by organizations that oppose book bans (for example PEN in America) 

look up if there are any “little free libraries” in your area (free book-sharing box operating on the honor system: anyone can take or leave a book for no cost) 

look up if there are any book swapping events in your area 

take part in reading groups, book clubs etc. (either in person or online) 

And of course the big one: if you can afford to buy books - make a point to buy banned books (or more generally, queer books and books from marginalized authors and books on topics that frequently get banned)! As a starting point, you can find lists of banned books online. Wikipedia has one, for example. 

If you have a bigger budget, you could even buy multiple copies and put some in your local “little free library” or bring them to book-swapping events or gift them to friends etc! (You could also ask your local public library (or school library or prison library or youth center or women’s shelter etc) if they take book donations, but you may want to hold off on buying before they say yes - not all of them can accept donations!).

Happy reading and resisting!

With all my love, 

Your Tumblr Dad 

[hazbin-but-good]

another hazbin hotel rewrite/redesign?

yup! and i'm so serious about it that i made a whole blog for it. i'm a white queer ex-cath tran doing this as an art and writing exercise, so feedback from other creatives + jewish and/or racialized folks is especially welcome.

i'm putting this post and only this post in the main tags for visibility. also, not gonna link my main, but i do make my own original stuff, and i encourage fans and haters alike to do the same.

anyway, here's a mostly good-faith 1.7k-word essay on the original. i think it's pretty funny and brings up some less talked-about points. correct me on the facts, disagree with my opinions, and ask clarifying questions, but don't come at me with any piss-poor reading comprehension.

the hellaverse is garbage, and here's why

cw: strong language, stronger opinions, intersectional feminist critical discourse analysis

1. vivienne medrano, the person

medrano was born as a well-off white-passing latina (salvadoran-american) in bougieass frederick, maryland. while attending new york's top art school, she got popular on deviantart-tumblr-twitter by being a prolific multifandom fujoshi furry who's more into ornamental character design than storytelling. upon graduation, she leveraged her fanbase and industry connections to make the hazbin and helluva boss pilots, get helluva made for youtube, and get hazbin made for amazon prime.

like every woman online, she gets harassed for no good reason, and as a certified autist, i will defend her right to be dumb, weird, annoying, and bad with words. however, there are legit reasons to criticize her:

racism, misogyny, homophobia, fatphobia, some antisemitism, past transphobia, past ableism

shitty boss, bad friend

cowardly, vindictive, manipulative, thoughtless behavior

skeevy friends

sucks at taking criticism

in short, i think she desperately needs a PR person and someone to clean up her digital footprint.

2. medrano's art

incurious

inauthentic

noncommittal

creatively stagnant

overindulgent, and the indulgence isn't even fun

shallow and childish framed as complex and mature

bland and boring framed as shocking and subversive

to be clear, i'm at peace with the existence of suckass art like this; i just think the money, attention, and praise it gets are unearned and should go to more interesting works, of which there are infinite.

medrano's had the time, money, and social cache to grow as an artist, learn from the best, and take creative risks, but she hasn't. if she truly has nothing more to offer, she should let her collaborators take the wheel, but she doesn't do that either. instead, she keeps getting more and more resources to make the same baby bullshit, and that pisses me off. she could be the nicest person ever, and this fundamental arrogance would still make her art blow.

stop with the pointless guilt: liking medrano's work does not make you stupid or evil. however, if you stay in the kiddie pool of culture, if you refuse to engage with a diversity of art, if the hellaverse is your point of reference for anything media-related, you can't expect to have your opinions on art, media, or culture taken seriously. you have not earned a seat at the table. you gotta hit the books first.

i cannot emphasize enough how much incredible stuff is out there if you're willing to look further than what social media and streaming services put right in front of you. if you come away from this blog having learned about just one new artist or piece of art, i'll be a happy camper.

3. the hellaverse

a. empty and confused

hazbin and helluva's content and marketing has no clear target audience. the subjects are inappropiate for teens, but the execution is too childish for adults, and lemme tell you what i don't mean by that, first.

not inherently inappropriate for teens:

sex and sexuality

violence, including when it intersects with the above

politics and religion

not inherently childish:

animation (any style)

comedy

episodic writing and/or loose continuity

young characters

fun, happiness, optimism, the power of friendship, cuteness, tenderness, sincerity, etc.

what i mean is that these shows are literally about adult characters who fuck, smoke, drink, do drugs, go clubbing, work full-time, manage their own finances, and deal with stuff like bureaucracy, sexual violence, domestic abuse, marriage, divorce, late adoption, and family estrangement.

however, none of these "adult" things are given enough specificity to create drama or comedy. it's all too stock, vague, flat, weirdly sanitized, and thus utterly banal—pure aesthetics on top of bad saturday morning cartoons. it's exactly what i'd expect from a sheltered disney kid who needs to log off and get into their local gay scene ASAP so their only contact with things like poverty, policing, addiction, and sex work stops being facile movies and TV.

if the shows were aware of this and played with it, that could be amazing, but they're not. they give you the mickey mouse version of the world with a straight face and then play looney tunes sound effects to try to make you laugh and sad_violin.mp3 to try to make you cry. now that's funny.

b. old and tired

let's make like americans and pretend that the rest of the world doesn't exist. even within the confines of the USA, home of the hays code, the red scare, and reaganite propaganda, this neopuritan fascist state ruled by 1000 megachurches in a trenchcoat, the indie/underground animation scene has been doing crazier shit for decades. anti-war films in the 60's, bakshi movies in the 70's, the simpsons shorts and r-rated movies in the 80's, adult swim and MTV in the 90's, flash/newgrounds/youtube in the 00's, streaming in the 2010's—so what are we doing in the 2020's with this wet white rice drowned in expired ketchup? i feel crazy making this point because it's obvious if you've watched these things, but if you haven't, you're gonna be like "well, there's gotta be something new here". no! there isn't! in the words of jimmy "the scot" jordan, nothing, nothing, NOTHING!

c. ideological purgatory

actually, there is one thing in these shows i've never seen before: the presbysterianism. shout out some interesting or at least intentional presbysterian art in the comments, because the way these ideas are presented here is not compelling. it just makes the rainbow neoliberalism even more confusing and contradictory.

i guess the big presbysterian things are protestanism, calvinism, and, uh, big church government? presbysterians, get your shit together. get your brand down. catholics have BDSM and vampires, evangelicals have TV and corporatism; what do you have? celtic crosses? no wonder medrano has such uninspired ideas on divinity.

d. queer deficiency

when i look at a piece of art, i ask myself: "what does this give me that i can't get from the hunchback of notre dame (1996)?" if the answer is as limp as "uhh, gay people, i guess", i can probably look for my gay shit elsewhere and rewatch the hunchback of notre dame (1996) in the meantime.

but let's say that you have no standards. you've been waiting for ages for a show about gays by the gays for the gays, and by god you're gonna get it. this is it! here we go! time for some

generic twink obliteration

male sexuality as aggression and dominance displays

WLW (sex and chemistry not included)

a couple straight femdoms

and the stalest sex jokes known to man

...yeah, it's not very queer. and by "queer", i mean "questioning or subverting gender norms (including sexual roles) within a given cultural context regardless of creator identity and intent". i'm not a queer studies scholar so LMK if there's a more specific term for this, but whatever you call it, it's not in the hellaverse much.

there's not even any transness, literal or metaphorical, just ancient drag jokes. i guess the writers thought we would've been too controversial. so much for an indie animation studio that prides itself in the diversity of its staff both above and below the line, bakshi-style. i wonder how medrano, a bisexual woman, would've felt if told that a lesbian main couple in hazbin would be "too controversial".

4. spindlehorse and the vivziepop brand

spindlehorse toons underpays its overworked staff and keeps outsourcing more and more labor to even more overworked freelancers overseas to cut costs. a rainbow sweatshop is still a sweatshop, and just because these practices may be "industry standard" doesn't make them any more ethical.

the studio has also been repeatedly accused by current and former employees and contractors of creating a hostile and abusive workplace. AFAIK, it still has no dedicated HR person, and victims are too afraid of retaliation like blacklisting and online harassment to speak out.

this is exactly the stuff that unions exist to prevent. as i'm writing this, the IATSE (the parent union of TAG, which is the parent union of all US animation unions) is negotiating with entertainment industry executives for better working conditions, and if the execs fuck around like last year, it's strike time again. so watch this space, voice your support, and don't cross any picket lines.

i hope spindlehorse unionizes, but until then and for these reasons, i don't think you should give money to the company.

first of all, all content on amazon-owned platforms is ok to pirate, and all youtube ads are ok to block. everyone involved in making the episodes has (or should have) been paid upfront, so you're not taking the bread out of anyone's mouth.

next, let's look at the succulent offerings of the official vivziepop merch shop:

$10 pins and keychains

$15 sticker packs

$20 mugs and acrylic cutouts

$25 shirts

$30 metal cards (not even tarot)

$40 lounge pants

$50 mini backpacks

random $80 skateboard deck

forgive my latin americanness, but this is all stuff you can get made by a local metalsmith, print/sublimation shop, or just crafty people in your life. it's cheaper, customizable, and better for the environment to skip all the shipping and packaging. also, not painting your own skateboard is poser shit.

the hazbin website also has $15 pins, one $20 keychain, and $6 trading card packs. people are weird about trading cards, so if for some reason you wanna gamble for a mass-produced bit of cardboard, plastic, and tinfoil, at least bulk-order for all the vivziepoppers in your area so it's less of a huge waste. better yet, trace the designs and make infinite bootlegs.

at the end of the day, buying merch is not activism. your bulk order of trading cards will not save any wage slaves from getting evicted from their overpriced studio apartments. however, the shop links you to all the credited artists/designers, and more of your bucks will actually reach them if you buy their designs directly, then turn them into body pillows or life-sized bronze statues or whatever the fuck.

go through the credits of any episode of helluva or hazbin, and you'll find even more creatives you might wanna support. get jinkx monsoon's albums on CD. subscribe to actually good artist, animator, and composer gooseworx. lots of voice actors now have patreon, cameo, or self-hosted pages where you can write better lines for their characters and have them read it. these things may not look as shiny as Official Merch™, but we all need less plastic shit and more culture anyway.

[genderqueerdykes]

So recently I’ve been getting into the punk culture, but I can’t dress punk or listen to punk music because I have adhd and it triggers my sensory issues. Do I have to wear punk clothes or listen to punk music to be considered punk? How “punk” do I have to look or act to be considered punk?

good question!

fortunately there's no dress codes or anything like that for the community. most punks don't really even dress punk- a lot of people who behave in very punk ways wear plain clothes. many librarians, food kitchen workers, homeless outreach workers, social workers, and other people are punk and dress just as plain as anyone around them

punk is in the behavior and the beliefs- if you behave in a way where you actively break down oppressive structures that we participate in on a daily basis and learn to accept and help our communities and the people who are most heavily affected by that oppression (people of color, mentally ill people, neurodivergent people, addicts, homeless people, sex workers, intersex people, trans people, poor people), you are fitting the part

i also don't listen to a lot of punk music due to sensory issues from autism, so don't feel too bad. i did listen to quite a bit when i was living in a house venue, but it's not something i seek out on my own due to my sensory problems with sound. it's not necessary to be into the punk music scene unless that's something you actively want to participate in and enjoy. many people are just in the punk music scene and that's totally okay. some people really enjoy that, and some don't. artists will express in what ways they see fit, and others will focus their attention elsewhere. there are many ways to be punk

the only way to not be punk is to be a nazi, cop, or other type of fascist- being racist, queerphobic, ableist, intersexist and their enablers is also a great way to not be punk.

many punks are punk in the sense where they do their best to be their for their local community, provide resources and aid where possible, teach others to unlearn racism, queerphobia, ableism and other forms of internalized oppression, and generally try to provide a helping hand to whoever may need it. many punks hand out water and snacks to homeless people in their area. many punks are nurses. many punks work in social services to help disabled and homeless people. many punks dedicate their time to helping the environment, learning how to sustainably garden and take care of the earth while doing so, compost, and other ways to provide sustainable, responsibly and ethically sourced foods

there are punks all around us, even if they're not dressed in battle jackets and ripped jeans with chains and spikes and patches and pins. sometimes a punk is the person standing on the sidewalk in a T-shirt and jeans smoking a cigarette, but you'll never be able to guess or tell just by looking that they spend hours out of their week participating in protests and writing anarchist zines. much like any other group of people there's no way to tell if someone is punk just by looking at them or gauging their interests- it's about how they behave and how they treat people around them

dismantling structures that are designed to keep marginalized and targeted people down is what the punk community is about. you don't have to be an activist, either- as long as you take the time to learn how to treat demonized and outcasted people with decency and respect, and how to support your community in whatever ways you can, you're doing what you're supposed to do. you don't have to volunteer or spend hours handing out resources to people in need. but what is important is to refuse to participate in holding down people who cause no harm who are just trying to live their lives

hope that helps! feel free to ask any more questions you may have